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Henrik, Jeppe, Adam and William are ruthless, greedy and obsessed with power. Nevertheless, none of them want to hit the brakes: “Keep going, keep going” is the motto of the young, neat guys in designer suits, handkerchiefs and sunglasses. Just like at the end of the first season, the lives of the four investment bankers seem to be falling apart. The mid-thirties are perpetually intoxicated But what he doesn’t know yet is that his wife Hermine (Agnes Kittelsen) has just suffered a miscarriage… Meanwhile, sociopath Adam is already planning his next million dollar fake insider deal. After a failed suicide attempt, giving up cocaine and alcohol had to be done in a VIP rehab in Portugal, and when he returned home he quickly dumped his wife Celine (Ine Wilmann). All the fuses popped out immediately: they beat the man, dragged him to the boiler room and tied him up. After returning from a safari, Jeppe catches his wife Mille (Kaja Vik) having sex with another man. After having unprotected sex with a prostitute, he becomes paranoid about contracting AIDS. In the end, only one wildebeest is enough, but “someone had to die, that’s how it is, that’s part of it.” After one of the night’s drug overdoses, Henrik wakes up covered in sweat. Henrik and Jeppe are on a high society safari in Mozambique. “Exit”: second season from now on in the ZDF media library Henrik, Jeppe, Adam and William are terrible antipathy babies and want one thing above all: more! Cost as much as you can. Also in the second season (both seasons ZDF Mediathek) takes us to leave with the over-excited lives of perhaps the most unsympathetic people of all time. Berger) and William Bergvik (Pål Sverre Hagen). Sex, drugs and money – the trinity of four Norwegian investment bankers Henrik Kranz (Tobias Santelmann), Jeppe Schøitt (Jon Øigarden), Adam Veile (Simon J. It can be seen on ZDFneo and in the ZDF media library.
ZDF NEO MEDIATHEK SERIES
the stroke width grows from within the letters, yet the spacing remains constant and linebreaks are preserved.“Exit” is a Norwegian drama series about the unbridled lives of four investment bankers. Both styles are uniwidth designs, that means each letter occupies the same space in all weights. ZDF Type is optimized for long body texts, the letters are constructed in a similar vein to Micro, but their spacing is narrower and have a smaller x-height.
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ZDF Micro is perfect for very small texts as it runs wider, has a larger x-height and uses serifs and curved strokes to make it easier to distinguish between similar letters. The three different optical sizes of the typeface ensure the best legibility. The result is an extremely comprehensive corporate type system: 116 fonts with three widths and three styles as well as corresponding italics. They wanted the new font to have better legibility, more flexibility and a stronger identity without leaving the type genre and thus the viewing habits of the audience. Taking a lead from Helvetica was the guiding goal and brief from the ZDF Marketing/Corporate design team. In 20, the Berlin-based Design Studio bBox Type founded by Anja Meiners and Ralph du Carrois, completely revamped and redesigned the corporate ZDF typeface, with Fontwerk responsible for the font production and mastering.